These drawings are imagined recollections, a kind of conjuring, drawn directly without referring to photographs or sketches. For me, indelible ink is most expressive because it is immediate and prompts swift, fluent drawing. I especially like how a single brush stroke can be both shadow and light.
I usually begin drawing with a few improvised marks and pools of ink laid randomly across the page. These markings become spatial notations as I look for pathways or clearings as subjects within habitats articulated by improvised depictions of plantlike forms.