Making these are part of my day-to-day work. For me they are an inmate way of thinking with my hands. They interplay between sculpture, painting and drawing; creating a process that easily allows one to inform the other. I’m often compelled by the encounter between the rawness of an initial thought and the unruliness of a new material.
Sometimes I come across discarded material and it’ll remind me of a line of drawing, part of a painting or even something I’ve read. I’ll either keep it as it is, make a note of it or even make a variation of it using another material. This method of engagement is a way for me to move through my day with a certain awareness while offering the occasional surprise of seeing how my surroundings pertain to what I’m working on in the studio.
Even though much effort is made to make each object a unique and fixed form, I sometimes group them together like letters in a word or words in a phrase.